4/7/2024 0 Comments Sin senos no hay paraiso titiLas telenovelas centradas en el narcotráfico se han vuelto muy populares en los últimos años. The telenovelas offer a critique of patriarchal society and of the middle classes-this is why many women and the subaltern identify with it-but at the same time maintain the gendered body of (subaltern) women under the surveillance of the (global) patriarchal gaze. It paradoxically both essentializes women's subordination and sometimes even empowers female viewers to find and celebrate agency in its main character. From another perspective, it provides deterritorialized subjects a shared experience as a basis for discussion of their everyday lives. The soap opera critiques the victimization of women by drug traffickers and the latter's hypermasculinity while manipulating these issues to seduce and entertain with a spectacle of sex, drugs, and a life of luxury. Study of one particular example of this subgenre, the Colombian Gustavo Bolívar Moreno's Sin tetas no hay paraíso, reveals a complex dialogue between popular culture and the hegemonic discourse of the War on Drugs and middle-class morality. Telenovelas (soap operas)' focusing on drug trafficking have become very popular around the world in recent years.
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